collegehumor
collegehumor:

Some insane tips that will take your game to another world.
10 Ways to Drive a Girl CRAZY in the Bedroom
1. First and foremost, take it slow! Always be sure to pay attention to your partner’s needs and desires.
2.  Start the foreplay! Let her warm up to you with some tender cuddling.
3. Kiss her slowly and sensually. Caress her neck and shoulders to deepen your connection.
4. Slowly but confidently massage every inch of her skin. If she’s receptive to it, try using your tongue.
5. Once she’s comfortable, invoke the sigil of a long-dead Elder God of your choosing.
6. Wrap the unknown terror of the universe around her very soul like a warm cloak of the finest sable. If done right, this will really get her going! 
Finish reading 10 Ways to Drive a Girl CRAZY in the Bedroom

collegehumor:


Some insane tips that will take your game to another world.

10 Ways to Drive a Girl CRAZY in the Bedroom

1. First and foremost, take it slow! Always be sure to pay attention to your partner’s needs and desires.

2.  Start the foreplay! Let her warm up to you with some tender cuddling.

3. Kiss her slowly and sensually. Caress her neck and shoulders to deepen your connection.

4. Slowly but confidently massage every inch of her skin. If she’s receptive to it, try using your tongue.

5. Once she’s comfortable, invoke the sigil of a long-dead Elder God of your choosing.

6. Wrap the unknown terror of the universe around her very soul like a warm cloak of the finest sable. If done right, this will really get her going! 

Finish reading 10 Ways to Drive a Girl CRAZY in the Bedroom

fuckyeahgameofthrones
but Joffrey in the books is still a 13-year-old kid. And there’s kind of a moment there where he knows that he’s dying and he can’t get a breath and he’s kind of looking at Tyrion and at his mother and at the other people in the hall with just terror and appeal in his eyes—you know, “Help me mommy, I’m dying.” And in that moment, I think even Tyrion sees a 13-year-old boy dying before him. So I didn’t want it to be entirely, “Hey-ho, the witch is dead.” I wanted the impact of the death to still strike home on to perhaps more complex feelings on the part of the audience, not necessarily just cheering.